Do people really care about Banksy? I mean who cares who they are. Let them be.
1976 Weebles Haunted House… they wobble but they don’t fall down.
Michael Che speaks to Jim Gilchrist, president of the Minuteman Project, about the “invasion” of immigrant children.
Swingtime at the Lawn on D
street harassment stems from the view that the public still belongs to men and women are enroaching on their territory when we exist outside of the home
Surely you would have empirical evidence to back such a claim?
Engaging with an anti-feminist is like, always futile but would the Harvard Law Review suffice as an acceptable source? The journal article has a few other sources as footnotes.
I said, “The only way I can play someone this hard is for something to be peeled away each week, and the first thing that needs to go is the wig.” I just wanted to deal with her hair. It’s a big thing with African-American women…You start when you’re just a young girl. Do you twist it? Do you leave it natural when it’s so hard to take care of? Then you start wearing wigs but every night before bed you’ve got to take the wig off and deal with your hair underneath. And it’s a part of Annalise that I needed the writers to deal with because I’ve never seen it, ever, on TV and I thought it would be very powerful. It’s part of her mask. - Viola Davis (x)
"She removes her wig, her eyelashes, her makeup, never breaking eye contact with the reflection of her natural self. It’s an intimate, powerful moment television doesn’t often show: A black woman removing all the elements white supremacy tells her she has to wear to be beautiful, successful, powerful." (x)
The Breakfast Club (1985) dir. John Hughes
Saturday, March 24, 1984. Shermer High School, Shermer, Illinois, 60062.
Jeneil Williams, Herieth Paul, Ajak Deng, Riley Montana, Kai Newman, and Tosh Bellington photographed by Richard Burbridge, W Magazine November 2014